88.1 KDHX Welcomes...
DRIVE-BY TRUCKERS / OLD 97'S
|Tickets:||Buy Tickets Online|
|Date:||Friday, May 24, 2013|
|Doors:||7:00 pm / Show: 8:00 pm|
|Price:||General Admission $25adv/$27.50dos | Balcony [general admission]|
|Age restriction:||All Ages :: $2 Minor Surcharge at Door|
Old 97's 8-9:30pm
Drive-By Truckers 10-Midnight
*Set times are approximate and subject to change without notice.
Camera Policy: ALL Cameras OK / Audio OK / Video OK
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It seems a paradox that while the Drive-By Truckers’ sound is so unique; it is still part of a greater and larger family. Some of the other greats - particularly in the South - were spawned from their culture, while others came from the deeper rootstock of the southern landscape itself. Of course in the long run the landscape has a significant say in what kind of culture develops; it’s all tangled together, all connected, and everything shares bits and strands of those fragments, again like a pastiche of random and beautiful genomes. Each of the three vocalists - Cooley, Patterson, Shonna - is distinct; each aches in its own way with sometimes gravelly and other times smooth sweet wistful broken-glass hurt and yearning and reluctant. Patterson’s songs, of course are almost always willing, in the great Southern tradition, to take on the Man - or anyone else - as are Cooley’s, when the cause is big and just.
Their sound - so distinctly theirs - comes nonetheless from history and the past. It’s all a big tangled beautiful mess, and it all comes out of Muscle Shoals, where, as Patterson’s father, legendary bassist David Hood, astutely notes, the South once did something right with respect to race relations, once-upon-a-time, and when it most mattered.
Although they became one of the most enduring bands in the alternative country-rock catalog, Old 97′s drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. Formed in 1993 by frontman Rhett Miller and bassist Murry Hammond, the group spent the bulk of the decade posed on the brink of mainstream success, issuing albums that often drew warm reviews but never yielded a substantial hit. Old 97′s tightened their sound as the decade drew to a close, retaining their bar-band vigor while introducing a stronger pop/rock sound on albums like Too Far to Care and Satellite Rides. Miller also mounted a solo career in the early 2000s, but the band remained together nonetheless, continuing to release material with their original lineup intact into the following decade.