Fall Tour 2026
All Get Out
with Motherfolk , Saint Blonde
Tickets for this event, if purchased with cash at Blueberry Hill, are discounted to face value – without extra ticket fees.
About All Get Out
About Motherfolk
Serious songs from goofy people. That’s what you can expect from diverse, Midwest indie-rockers, Motherfolk. What started out as a writing project among two college friends turned into a fully realized band untethered to genres, with an endlessly bright future.
Composed of Nathan Dickerson on vocals and guitar, bassist Clayton Allender, drummer Ethan Wescott, and Karlie Dickerson on keys Motherfolk are not only bandmates, but best friends. The band’s close-knit relationship allows each member to be their most authentic self, leaving every ounce of their souls to be poured into each song and high-energy performance.
Despite their light-hearted, groovy-rock sound Motherfolk is dedicated to creating a much deeper connection with their fans. They don’t shy away from the taboo, taking on heavy topics with a light heart. The results provide us with music you can dance to, whose impact is felt long after the song has ended.
The band’s quirky friendship and social media posts originally drew fans in, but their connection to the music kept those fans around. Since their formation Motherfolk has been on a steady upward trajectory, amassing well over 5 million Spotify streams on their three...
About Saint Blonde
On their debut album …with little ease, Denton, Texas’ own Saint Blonde soberly confronts the reality of what it means to be in a band in 2026. The thirteen-track offering finds the alternative rock group navigating a rapidly shifting music industry landscape where homogenization has become the norm and virality is manufactured at an alarming rate. Armed with a DIY, punk-inspired ethos, Saint Blonde — Hunter Fitch (vocals), Tre Rollins (guitar), Alexander Hernandez (guitar), Tyler Lee (drums), and Kyle Cade (bass) — have thrown the rulebook out entirely on …with little ease.
From the surf rock-inflected capitalist critique “Dirty $$$” to the angular post-punk ripper “Trendsetter,” a scathing observation of the music industry rat race; from the melodically anthemic takedown of performative praise, “Gimme My Flowers,” to the timely middle finger aimed at authoritarian power on “Chainwhip” — Saint Blonde leave no stone unturned. And they make one thing clear: if they’re going to say something, they’re going to say it with their entire chest.
…with little ease is out now via Pale Chord/Rise Records BMG.
