30th Anniversary Tour
Hot Water Music
with Quicksand , Tim Barry
About Hot Water Music
Hot Water Music Celebrates 30 Years of Music with an Epic Anniversary Tour + 10th Studio LP
Hot Water Music, the legendary punk rock band hailing from Gainesville, Florida, is thrilled to announce their momentous 30-year anniversary and an electrifying anniversary tour to mark this incredible milestone.
This three-decade celebration promises to be a landmark event for both the band and their devoted fanbase. With sets showcasing songs from all eras of their 30-year history, along with songs from their yet to be released 10th album, these shows will be unforgettable.
From the band– “We are humbled and thrilled to have reached this incredible milestone of 30 years together. Our fans have been with us through thick and thin, and this tour is our way of saying thank you for all the love and support over the years. We can’t wait to celebrate with you all!”
One of the most remarkable aspects of Distant Populations—Quicksand’s first album since 2017’s Interiors—is how timely and prescient the themes running throughout its songs sound at this very moment. Thoughtful, driving, and powerful, like the long-lived band itself, the 11 tracks comprising Distant Populations have an emotional resonance that is only amplified by the events of the past stressed-out, locked-down year.
If there is a recurring theme running throughout the new album, it might be this: “Everyone is on the one hand so connected with each other,” says Schreifels, “and on the other hand is so far apart, and so freaked out about everything.”
That seeming contradiction may lie at the heart of what Distant Populations is all about. The title comes from a lyric from anarcho-crust punk band Nausea’s “Fallout (Of Our Being)” about “destitute populations”; because of the singer’s thick accent, Schreifels misheard it as “distant populations” and instantly connected with that concept. “So we’re checking out each other’s social media and we know what everybody’s doing,” he says, pointing out a sad irony. “But when...
About Tim Barry
And so begins “Ain’t Much For Talking,” the opening salvo on Tim Barry’s latest album, Spring Hill. In a fashion that can only be called “perfectly Tim Barry,” the line carries with it some rather immense weight and rather eloquently and succinctly sets the table for what’s in store, both on the remainder of the song and on the album as a whole. If you’re expecting a baker’s dozen tales of introspection and honest reflection and occasional pointed-tongued humor and a handful of lines that’ll punch you right square in the solar plexus, you’ve come to the right place.
It’s been just about three years since Barry’s last studio album, The Roads To Richmond, a span that pretty nearly matches the longest break between albums in a solo career that’s now closer to the end of its second decade than it is to its start. And while it’s fair to say that the years since The Roads To Richmond have seen the world-at-large continue to unravel in ways that are as varied as they are tumultuous, much of that turmoil is absent from Spring Hill. Instead, what follows, both on the remainder of “Ain’t Much For Talking” and on Spring...